art history

http://www.britishmuseum.org/explore/highlights/highlight_objects/gr/d/discus-thrower_discobolus.aspx
http://www.harveyabramsbooks.com/501c3discusa1.html

The Discus Thrower


aka: Discobolos, Discobolus

Myron, circa 460 - 450 B.C.E.

Townley Collection, British Museum,

London, England



http://puffin.creighton.edu/eselk/intro-phil_on-line-course/Intro-phl-ol_Plato_Apology-Crito/Parthenon-history-sculpture_pg3.htm

http://puffin.creighton.edu/eselk/intro-phil_on-line-course/Intro-phl-ol_Plato_Apology-Crito/Parthenon-history-sculpture_pg3.htm
Three Goddeses from East Pediment of the Parthenon. c.438-432 BC, British Museum, London


Creator Greek Art

Period Greek

Media Sculpture

Description Three Goddesses from East Pediment, Parthenon. Marble, over life-size, British Museum

The Doryphoros (Greek δορυφόρος, "Spear-Bearer"; Latinized as Doryphorus) is one of the best known Greek sculptures of the classical era in Western Art and an early example of Greek classical contrapposto. The lost bronze original would have been made at approximately 450-400 BC.


The Greek sculptor Polykleitos designed a work, perhaps this one, as an example of the "canon" or "rule", showing the perfectly harmonious and balanced proportions of the human body in the sculpted form. A solid-built athlete with muscular features carries a spear balanced on his left shoulder. In the surviving Roman marble copies, a marble tree stump is added to support the weight of the marble. A characteristic of Polykleitos' Doryphoros is the classical contrapposto in the pelvis; the figure's stance is such that one leg seems to be in movement while he is standing on the other.

Exekias (a Greek name) or Execias (Latinization) was an ancient Greek vase-painter and potter, who worked between approximately 550 BC - 525 BC at Athens. The pottery, however, was exported to other regions, such as Etruria. Exekias worked mainly with the technique called black-figure. It was only used for a relatively short time and dates his floruit. He is considered the best or one of the best of the black-figure vase painters. portrays a moment not all that rare among professional military men. Ajax has been passed over for promotion in favor of Odysseus and now, if he cannot win the honor on which he has set his mind, he will not live. Warriors seek honor and glory (kleos) on the battlefield by killing others. Now the warrior whose kleos has failed off the battlefield kills himself.

http://www.mlahanas.de/Greeks/Bios/Exekias.html

The suicide of Ajax

The shield decorated with the protecting Gorgoneion has been laid aside. Ajax is now vulnerable. He plants the sword of destruction in the earth, crouching over it, turning his back on the tree of life. Shortly he will fall on the sword